CURICULUM VITEA

Jasmijn Aoife Krol (Dongen, 1988)
Zuidereinde 62
1243 KH ’s-Graveland
Nederland
003164217277
Jasmijnaoife@gmail.com
Instagram: @jasmijnkrol

Educatie
o Post-Master, Advanced Professional Program Conservation and Restoration of Cultural Heritage, specialisatie Historic Interiors Universiteit van Amsterdam (NL) 2020-2022
o Master of Science, Conservation and Restoration of Cultural Heritage, specialisatie Historic Interiors Universiteit van Amsterdam (NL) 2018-2020
o Master of Arts, Autonome Vormgeving, Koninklijke Academie voor Schone Kunsten. Gent (BE) 2010-2012
o Bachelor Autonome Beeldende Kunst Academie voor Kunst en Design. St-Joost, Breda (NL) 2006-2010


Conservering en restauratie projecten Advanced Professional Program Conservation & Restoration of Cultural Heritage, Universiteit van Amsterdam 2020-2022

Internships 2022
o Rijksdienst voor Cultureel Ergfoed (RCE) under supervision of Bernice Crijns 2 months 2022
o Ornament bvba under supervision of Fabian Rasson and Elsbeth Denys 3 months
o Stichting Restauratie Atelier Limburg (SRAL) under supervision of Angelique Friedrichs 3 months 2022

Projects:
o Trompenburgh, ’s-Graveland under supervision of Ruth Jongsma (Bureau voor Onderzoek en Restauratie)
o Grote Kerk, Harderwijk under supervision of Aafje Bouwhuis and Nanon Joernee (OUOU restauratoren)
o Johan de Witthuis, Den Haag under supervision of Megan Kisters and Ruth Jongsma (Bureau voor Onderzoek en Restauratie)
o De Nollen, Den Helder under supervision of Merel Lantman (UvA) and Karin van der Lem (deKunstkoesteraars)
o Maria Kerk, Nisse in collaboration with Technical University Delft. under supervision of Merel Lantman (UvA)
o Grote Kerk, Naarden under supervision of Bernice Crijns (RCE)

Research article:
‘Between adherence and reversibility, pastel chalk as a retouching medium for wall paintings’ 2022
Abstract:
Pastel chalk is not often mentioned as a retouching medium for wall paintings, but it has some good features such as: reversibility, lightfastness and practical in use. Because the low adhesion force is a concern, this research investigated whether the roughness of the surface, the morphology of the pigment and the method of application can influence the adhesion of pastel chalk, and under what conditions the adhesion would be improved without this being at the cost of reversibility. The pastel chalk was examined under SEM, the micro roughness of both substrate and pastel chalk was measured and various adhesion and reversibility tests were carried out by using mock-ups. It has been shown that the macro roughness of the substrates, the method of application and the hardness of pastel chalk do influence the adhesion of pastel chalk on the substrate. But it has also shown that pastel chalk is not completely reversible.

Conservation projects Master of Science Conservation & Restoration of Cultural Heritage, University of Amsterdam 2018-2020

Projects:
o Fort Benoorden, Spaarnwoude. Under supervision of Nico van der Woude (SRAL) and Jessica Hensel (UvA)
o Herengracht 390, Amsterdam Under supervision of Merel Lantman (UvA)
o Huys ten Donck, Ridderkerk. Under supervision of Lise Wolfert
o Steam Ship, Rotterdam. Under supervision of Harrie Schuit (RCE) and Janine van Reekum (UvA), Merel Lantman (UvA) Katrin Pitsch (UvA)
o Royal Archives, Den Haag under supervision of Clara
van Waldhausen (Uva) and Laura Smeets (Collection Royal Archive)

Studio objects under supervision of Merel Lantman (UvA)
o 17th-century painted wooden ceiling in fragments, condition check, cleaning and consolidation Supervisor Merel
Lantman (UvA)
o Chinoiserie gilt leather room divider 18th century. Condition check and research Supervisor Merel Lantman (UvA)

Master thesis
“Wall painting retouching techniques in the Netherlands.” 2020
Abstract:
In the Netherlands there is no standard when it comes to retouching techniques for wall paintings. Research has been done
into the preferences and motivation of conservators to see if there is a division in current practice. The visual perception of
the general public with regard to these different techniques has been examined to see whether conservators and the public
share the same preferences and opinions. Supervisor Jessica Hensel (UvA)

Practical workshops and theoretical lectures:
o Pigments and Colour - Merel van Schrojenstein Lantman (UvA)
o Modern Paint Systems - Pieter Keune and Klaas-Jan van den Berg (RCE)
o Marble and wood Imitation - Bernice Crijns (RCE)
o 3D modelling of Historic Interiors- Tijm Lanjouw (UvA)
o Wallpaperestoration- Thomas Brain
o The Artist Interview - Sanneke Stiger (UvA)
o Cleaning with gels- Emilie Froment (UvA)
o Varnish Removal - Merel van Schrojenstein Lantman (UvA)
o Gilding and Restoration of gilded objects - Sylvia Nijhuis
o Stucco Workshop- Lise Wolfert
o Filling, retouching and varnish - Kate Seymour (SRAL)
o Porosity Workshop - Noushine Shahidzadeh (UvA)
o Gilt Leather Workshop - Martine Posthuma de Boer
o Colour theory - Elsbeth Geldhof
o Pigments - Luc Megens (RCE)
o Toxic Pigments - Jessica Hensel (UvA)
o Dry and Wet Cleaning - Merel van Schrojenstein Lantman (UvA)
o Adhesives - Pieter Keune
o Modern Wall Paintings - Rutger Morelissen (RCE)
o Wall Paper and Wall Hangings - Richard Harmanni
o Metals - Janine van Reekum
o Pest Control - Martijn de Ruijter (Museum voor Wereldculturen)
o Preventive Conservation - Agnes Brokerhof and Bart Ankersmit (RCE)
o Colour Theory by Frank Ligterink (RCE)
o Science by René Peschar (UvA) and Kate Seymour (SRAL)
o Colour, Pigments and Dyes by Maarten van Bommel (UvA)
o Analytical Techniques by Maarten van Bommel (UvA)
o Photography by Rik Klein Gotink
o Image and Documentation by Bas van Velzen, Herman den Otter, and Michiel Overhoff (UvA)
o Materials for the conservation of architectural surfaces - Leonardo Borgioli
o The Removal of Varnishes with Substances in Aqueous Environment - Paolo Cremonesi
o Materials and methods for surface Cleaning and removal of organic materials – Paolo Cremonesi
o Modular Cleaning Program workshop - Marjan Visser
o Modular Cleaning Program - Chris Stavroudris

Summer schools
o Fort Benoorden Spaarnwoude, consolidation of 19th and 20th century wall paintings Supervisor Nico van der Woude (SRAL), 2020
o Royal Archives-Palace Noordeinde The Hague, cleaning of 19th century stucco ceiling. Supervisor Lise Steyn (Collection Royal Archive) and Janine van Reekum (UvA), 2019
o Topenmuseum-Museum of world cultures Amsterdam, research and consolidation of polychrome sculptures, 2019 Supervisor Martijn de Ruijter.

Presentations
o AIC Conference 2022 Reflecting on Past – Imagining the Future. Lecture in collaboration with and given by Bill Wei (RCE)
o IIC Conference 2022 Conservation and Change: Response, Adaption and Leadership. Online poster presentation in collaboration with and given by (RCE)
o IIC Conference 2020 Current Practices and Challenges in Built Heritage Conservation’ Online poster presentation ‘Conservation of a 17th century painted ceiling’ in collaboration with Valentina Gatto
o Expert meeting Wall Paintings Retouching Restauratoren Nederland 24 September 2020: Lecture Wallpainting retouching techniques in the Netherlands

Membership and board activities
o Board member KIDOR (Art in Public spaces) Restauratoren Nederland
o Board Member Wallpaintings Restauratoren Nederland
o Member Restauratoren Nederland
o Member ICOM-CC
o Member IIC